APSMUSEUM春季大展《逝者如斯》| 金望&演奏者
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参展艺术家：金望
他的室内乐作品曾多次在上海之春国际音乐节，香港艺术节等音乐会上演出，于2007年获文化中国年度人物大奖古典音乐大奖提名；
他与艺术家杨福东合作多部艺术电影以及多媒体影像作品，参展于多个艺展及影展。2010年为杨福东执导的意大利著名服装品牌PRADA广告艺术短片《First Spring》创作音乐，通过PRADA官方网站播出；
他为艺术家邱岸雄的水墨动画影像作品《新山海经》系列、《民国风景》等创作音乐，曾展出于多个国际知名艺术机构。2011年与邱岸雄合作的声音装置作品《基音》在上海当代美术馆《关注 Follow》展出。
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刘迪，1984年出生在辽宁锦州，10岁开始学习双簧管，1998年-2006年就读于中央音乐学院，中央音乐学院附中，师从魏卫东教授。
Liu Di, born in 1984 in Jinzhou, Liaoning, and started practicing the oboe at the age of 10. From 1998 to 2006, he studied at the Central Academy of Music, the affiliated Middle School of the Central Academy of Music with Professor Wei Weidong.
2006年考入德国柏林汉斯艾斯勒音乐学院，师从Ricardo Rodrigues教授。在室内乐方面，组成了新音乐木管五重奏组，并成功举办了多场重奏音乐会。2010年取得硕士学位。
In 2006, he was admitted to the Hochschule für Musik Hanns Eisler in Berlin, Germany, under the tutelage of Professor Ricardo Rodrigues. In chamber music, he formed the New Music Woodwind Quintet and successfully held many ensemble concerts. He received his MA degree in 2010.
2010年至2018年在上海交响乐团担任双簧管，英国管演奏员，期间与世界著名指挥家夏尔·迪图瓦，祖宾·梅塔，巴伦勃依姆，艾森·巴赫等合作。另组成上交木管五重奏，每年举行数场重奏音乐会，重奏组还多次走进中外校园，企业，致力于普及古典音乐，并取得了热烈的反响。2011年加入上海音乐学院成立的Ela上海友人室内乐团，广泛传播诸多国内外新音乐作品。2015年参与录制贾达群教授的《室内乐作品集2》由Naxos出版发行。
From 2010 to 2018, he served as an oboe and British pipe player in the Shanghai Symphony Orchestra. During the period, he cooperated with world famous conductors such as Charles Dutoit, Zubin Mehta, Balenboim, Eisen Bach, etc. He also formed the handed woodwind quintet and held several ensemble concerts every year. The ensemble group also visited Chinese and foreign campuses many times, and is devoted to popularizing classical music, receiving enthusiastic response. In 2011, he joined the Ela Shanghai Friends Chamber Orchestra established by the Shanghai Academy of Music, promoting new musical works at home and abroad. In 2015, he participated in the recording of Professor Jia Daqun's "Chamber Music Collection 2", published by Naxos.
施宇成
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施宇成，青年中提琴演奏家，1992年出生。师从刘念教授，蓝汉成教授以及奥地利中提琴教父Thomas Riebl。毕业于上海音乐学院研究生部和奥地利萨尔斯堡莫扎特音乐大学，获得双硕士学位。现任上海音乐学院中提琴专业教师。
Shi Yucheng, a youth viola player, was born in 1992.He studies with Professor Liu Nian, Professor Lan Hancheng,and Thomas Riebl, the godfather of the Austrian viola. Graduated from the Graduate School of the Shanghai Conservatory of Music and Mozarteum Unviersity Salzburg, Austria, with a double MA degree. Now he teaches viola at Shanghai Conservatory of Music.
在2018年9月，在德国慕尼黑获得了ARD国际音乐比赛（中提琴组）第二名，这项比赛是目前中提琴在国际上规格最高、难度最大的比赛，除此之外，他也曾获得过多个国际大奖。
In September 2018, he won the second place in the ARD International Music Competition (Viola Division) in Munich, Germany, the highest-level and most difficult competition for viola in the world. He also won other international awards many times.
施宇成的个人演出足迹遍布欧美和亚洲，举办了多场个人、重奏专场音乐会。2018年在德国慕尼黑与世界顶级乐团巴伐利亚交响乐团合作演出了欣德米特中提琴协奏曲。2019年回国后，在上海交响乐团演艺厅举办了个人专场音乐会，5月与上海音乐学院交响乐团合作演出了施尼特凯中提琴协奏曲。
Shi Yucheng has performed throughout Europe, America and Asia, and has held many solo and ensemble concerts. In 2018, he performed the Hindemith Viola Concerto with the world's top orchestra Bavarian Symphony Orchestra in Munich, Germany. After returning to China in 2019, he held a solo concert in the Shanghai Symphony Orchestra Performing Arts Hall. In May, he performed the Schnittke Viola Concerto with the Shanghai Conservatory of Music Symphony Orchestra.
《逝者如斯》音乐工作视频
《逝者如斯》邀约专访：金望
问
请问您最早是如何接触到音乐的呢？
金：我最早接触音乐是三四岁的时候。我父亲是一位音乐家、作曲家，我小时候经常在钢琴旁边听他弹，逐渐开始学习音乐。
问
为什么是作曲家而不是某一件乐器的演奏家呢？
金：其实我小时候喜欢画画，这可能也跟我后面与艺术家合作有关系。回过头看，和练琴不同，画画本身创造性更强，而练琴有对和错。我父亲对我在音乐上的培养是比较用心的，他也会鼓励我即兴弹奏。他会给我出题目，比如“大象”，或者“小熊过桥”，我也觉得的很有趣。后来有一天，我父亲就问我：“你学作曲怎么样？”我也觉得挺好。
问
是什么让您与艺术家展开合作？
金：我在2000年左右的一个活动上认识了杨福东，这是我第一次和艺术家的合作。我那个时候对杨福东这个人的感觉很好，我也很喜欢他的创作。当时他说他在做《陌生天堂》，素材都准备好了，他就问我是否愿意做。我那个时候也没有经验，还在读大学，但我很有兴趣，我就去看了他的片子。我觉得这对当时的我来说是没有见过的，是个我可以尝试的事情，这就开启了我们第一次合作。后来我和杨福东也有持续的合作。过了一阵子，邱岸雄老师从国外回来，打算做《新山海经》，杨老师就把我介绍给了邱老师。我在看过《新山海经》的素材之后，也是觉得它很吸引我，于是和邱老师展开了合作。最后我们三个人也成为了很好的朋友。
问
请问您与艺术家合作的过程是怎么样的？
金：我很喜欢和艺术家合作。以与杨老师和邱老师的合作为例，一般来说他们会有一些素材，我会先看到这些素材，然后跟他们有很深入的交谈。这个过程很重要，能让我思考要做一个什么样的音乐，能跟这个作品合在一起。这能让我抓住一个方向、一个角度，让我了解艺术家做这些作品的初衷是什么。当这个初衷确定了之后，后面的创作都会比较顺利。作为艺术家来说，杨老师和邱老师不会干涉一些音乐创作的细节。他们其实也很尊重我，他们觉得我也是一个创作者，给了我很大的一个空间。当然我们之间有时候也会有些争议，有时我会坚持，有时我也会在经过思考后妥协。总体来说，和艺术家合作是一个非常愉快的、互相有帮助的过程。
《逝者如斯》乐谱节选
问
可以谈一谈《逝者如斯》的音乐部分的灵感来源吗？
金：这个灵感来源也是一个契机。当时邱老师跟我说这两个地点会有两个乐手共同去玩音乐，我想到可以把作品写得像对话一样。其实这个对话形式也跟音乐会上的二重奏不太一样，也是比较少见的形式。
问
您和邱老师已经合作多年了，做了很多他的影像作品的配乐。这一次的作品不单单是一件影像作品，也是融入了建筑元素的互动装置。对您来说，这一次的合作和以往有什么不同？
金：最主要的就是空间不同、形式不同。这一次有一个现场的演出，而且还是在两个地方通过一个对话的形式呈现。我们有室内和室外空间，演奏者看到的景象是不一样的。环境对演奏者的影响是很大的，就像在蒙古草原上呼麦的人，他们练音乐的时候都是在很空旷的地方，那样的音乐就产生了。我在这次创作中突出了两位演奏者不一样的个性，虽然是按照传统的方式把谱子写出来，但我给演奏者留了发挥的余地。在边园是双簧管演奏家刘迪，在APSMUSEUM是中提琴演奏家施宇成。无论是节奏、力度，我并不需要精确地去体现谱面上的东西，而是要加入自己的思想。每个演奏者是不同的，而他们互相之间的交流是一个互相回应的过程。
问
《逝者如斯》会在不同地点展出，这也代表着您的音乐会在不同地点同时演奏和播放。您觉得这些场域与您的音乐之间是如何互相影响的？
金：“逝者如斯夫，不舍昼夜”这句话主要表达的是时间与空间的一个概念，这就体现在乐手互相回应的过程上。从广义上来说，我认为世间万物都是在对话的。我们晚上看星星，我们看到的光其实是过去，因为这些恒星距离我们是非常遥远的。这就是一个时间和空间的概念。就像我们两个人在这里对话，我们看似在同一个空间里，但因为我们之间的差别太小了，这个时间和空间的区分可以忽略不计。但如果是微生物看我们，我们就是在不同的时间和空间里。我觉得对话的本质就是因为有不同，才能产生对话。
问
如果让您跟观众说一句话，让他们去体验《逝者如斯》，您会说什么？
金：创造艺术的是欣赏者。作为一个具有开放性，结合建筑、艺术、音乐的作品，我希望它能从不同的角度带给观众别样的感受。
金望
刘迪
施宇成
施宇成，青年中提琴演奏家，1992年出生。师从刘念教授，蓝汉成教授以及奥地利中提琴教父Thomas Riebl。毕业于上海音乐学院研究生部和奥地利萨尔斯堡莫扎特音乐大学，获得双硕士学位。现任上海音乐学院中提琴专业教师。
在2018年9月，在德国慕尼黑获得了ARD国际音乐比赛（中提琴组）第二名，这项比赛是目前中提琴在国际上规格最高、难度最大的比赛，除此之外，他也曾获得过多个国际大奖。
施宇成的个人演出足迹遍布欧美和亚洲，举办了多场个人、重奏专场音乐会。2018年在德国慕尼黑与世界顶级乐团巴伐利亚交响乐团合作演出了欣德米特中提琴协奏曲。2019年回国后，在上海交响乐团演艺厅举办了个人专场音乐会，5月与上海音乐学院交响乐团合作演出了施尼特凯中提琴协奏曲。
APSMUSEUM春季大展
“逝者如斯 How It Flows On”
早鸟票限量发售中！
快来体验会穿越的美术馆吧
Artist: Jin Wang
His chamber music has showcased at the Shanghai International Music Festival Shanghais Spring, the Hong Kong Arts Festival, the Korean International Music Festival, among others.In 2007, Jin Wang was nominated in The Person of the Year Award by the Chinese Culture of Classical Music;
He has collaborated in art films and multimedia works with the artist Yang Fudong and exhibited in many international art exhibition and film festivals. Yang Fudong in 2010 directed creative music for famous Italian fashion brand PRADA advertising art video "First Spring", broadcast on PRADA's official website, reaching to a massive global audience;
He made music for the artist Qiu Anxiong's animation video work, such as the New Book of Mountains and Seas series, Minguo Landscape (2007), etc., and has been exhibited Internationally. In 2011, Jin Wang collaborated with Qiu Anxiong a sound installation piece Fundamental Tone, shown at the Shanghai Museum of Contemporary Art "Concern Follow".
How It Flows On music video (in progress)
Q
What was your earliest experience with music?
JIN：I first came into contact with music when I was three or four years old. My father is a musician and composer. I listened to him play the piano when I was little and gradually started learning music.
Q
Why did you choose to be a composer instead of a performer?
JIN：I was interested in painting when I was a child, and maybe that is the reason why I frequently collaborate with artists. When looking back today, painting is a more creative method than playing instruments because the later has the standard of right and wrong. My father was very attentive when fostering my interests in music and encouraged me to improvise. He usually gave me subjects to play, such as “elephant”, or “little bear crossing the bridge.” I thought it was quite interesting. One day, my father asked me, “why don’t you start composing?” I thought it was not a bad idea.
Q
What triggered your collaboration with artists?
JIN：I met artist Yang Fudong at an event around 2000, and that was my start point of collaborating with artists. My first impression of him was very nice and I liked his works very much. He was working on the piece “Strange Heaven” at the time, and everything was ready at the time, and he kindly asked me if I would like to collaborate with him. I did not have much experience then and I was merely a college student; however, I had great interest in it so I went to see his work. That was a brand-new experience to me and also something I would like to try, so we began our first collaboration. We have had continuous collaboration afterwards. Some time later, artist Qiu Anxiong returned back to China from abroad and was preparing to make New Book of Mountains and Seas. I was introduced to him by Yang. After seeing the materials of the artwork, I was fascinated by it and started my collaboration with Qiu. We three also became good friends after then.
Q
What is the process of collaborating with artists?
JIN：I enjoy working with artists. Take Yang and Qiu as examples. Usually the artists provide subject matters and we will have deep communication over those materials. This is a crucial step because through this I can think about what music I should make to go well with the artwork. That can help me grab a direction, or an angle, and understand the artists’ intensions behind these works. Everything after that will come naturally once the first step is settled. As artists, Yang and Qiu rarely interfere my creations, especially on details. They respect me very much and leave me with enough space to create. We do have conflicts sometimes, and I insist if I believe is necessary, but sometimes I also make compromise after thinking more thoroughly. Generally speaking, it is a very pleasant, and helpful in either directions, to co-work with artists.
How It Flows On music note (clip)
Q
Could you tell us a little bit about your inspirations for making music in this exhibition How It Flows On?
JIN：The source of inspiration was an opportunity. When Qiu told me that the music will be played by two performers at two different locations, I came up with the idea of writing the music as if creating a dialogue. Technically speaking, the form of dialogue is dfferent from what we call polyphonic in music, and it is also very rare.
Q
You have been working with Qiu for many years and have made multiple music pieces for his artists. This work is not only a video work but also encompasses interactive installation with architectural elements. What is the difference between this collaboration and others?
JIN：The biggest difference in is space and the way we perform. We have a live performance this time, and it will take place at two different locations. We also have outside and inside space, and performers weill be positioned in different environments. Environments are essential for performers, such as the music made by Mongolians—they live open space and thus making music that conforms with the environment. I emphasize the personalities of the two performers this time. Even though the music was written in the traditional method, I have left space for performers to improvise. Liu Di, who plays the oboe, will be positioned at the Riverside Passage, while Shi Yucheng, the viola performer, will be at APSMUSEUM. Whether it is rhythm or strength, I do not want them to perform merely according to the notes; instead, they are encouraged to infuse their own thoughts and understanding of the piece. Each performer differs from another, and the communication between them is a kind of interaction.
Q
How It Flows On will be performed at different locations, which means your music will be played at different places and different times? How do you think the space will influence the music, or vice versa?
JIN: How It Flows On is a concept of time and space, and this will be demonstrated by the interaction between performers. Broadly speaking, I think everything is having dialogues with its surroundings. We look up into the sky and see the light from stars which actually existed in the past because of the distance between them and us. This is the concept of time and space. We are having a conversation right here in this room, but the distance of time and space could be overlooked because we are too close to each other. However, if we are seen by the microorganism, we are from different time and space. I think the essence of dialogue comes from difference and distance.
Q
One thing you would like to say to the audience to enhance their experience of How It Flows On, what would you say?
JIN：I think the true creators of art are the spectators. I think the open-ended exhibition which combines architecture, art and music can give people a brand-new experience from different perspectives.
Jin Wang
In 2007, Jin Wang was nominated in The Person of the Year Award by the Chinese Culture of Classical Music.
Liu Di
In 2006, he was admitted to the Hochschule für Musik Hanns Eisler in Berlin, Germany, under the tutelage of Professor Ricardo Rodrigues. In chamber music, he formed the New Music Woodwind Quintet and successfully held many ensemble concerts. He received his MA degree in 2010.
From 2010 to 2018, he served as an oboe and British pipe player in the Shanghai Symphony Orchestra. During the period, he cooperated with world famous conductors such as Charles Dutoit, Zubin Mehta, Balenboim, Eisen Bach, etc. He also formed the handed woodwind quintet and held several ensemble concerts every year. The ensemble group also visited Chinese and foreign campuses many times, and is devoted to popularizing classical music, receiving enthusiastic response. In 2011, he joined the Ela Shanghai Friends Chamber Orchestra established by the Shanghai Academy of Music, promoting new musical works at home and abroad. In 2015, he participated in the recording of Professor Jia Daqun's "Chamber Music Collection 2", published by Naxos.
Shi Yucheng
Shi Yucheng, a youth viola player, was born in 1992.He studies with Professor Liu Nian, Professor Lan Hancheng,and Thomas Riebl, the godfather of the Austrian viola. Graduated from the Graduate School of the Shanghai Conservatory of Music and Mozarteum Unviersity Salzburg, Austria, with a double MA degree. Now he teaches viola at Shanghai Conservatory of Music.
In September 2018, he won the second place in the ARD International Music Competition (Viola Division) in Munich, Germany, the highest-level and most difficult competition for viola in the world. He also won other international awards many times.
Shi Yucheng has performed throughout Europe, America and Asia, and has held many solo and ensemble concerts. In 2018, he performed the Hindemith Viola Concerto with the world's top orchestra Bavarian Symphony Orchestra in Munich, Germany. After returning to China in 2019, he held a solo concert in the Shanghai Symphony Orchestra Performing Arts Hall. In May, he performed the Schnittke Viola Concerto with the Shanghai Conservatory of Music Symphony Orchestra.
逝者如斯
How It Flows On
策展人：李翔宁Curator: Li Xiangning
学术顾问：斯坦法诺·博埃里Academic Consultant: Stefano Boeri
助理策展人：莫万莉、胥一波、白亦雄Assistant Curators: Mo Wanli, Xu Yibo, Bai Yixiong
艺术家：柳亦春、邱岸雄、金望Artists: Liu Yichun, Qiu Anxiong, Jin Wang
开幕：2021.04.22展期：2021.04.23 - 2021.07.15Opening: 2021.04.22Duration: 2021.04.23 - 2021.07.15
主场馆：APSMUSEUM，上海陆家嘴中心L+MALL三楼301分场馆：边园，上海杨树浦煤气厂码头；或其他地区景象Main Venue: APSMUSEUM, No.301, Floor 3, L+MALL, ShanghaiSub-Venue: Riverside Passage, Yangshupu Gas Factory Wharf, Shanghai；or other locations to be announced
联合主办：欣稚锋艺术机构、陆家嘴中心L+MALLOrganizers: Art Pioneer Studio, L+MALL
支持单位：上海中外文化艺术交流协会、上海杨浦滨江投资开发有限公司、同济大学建筑与城市规划学院、马刺画廊、MANA新媒体艺术站Support: Shanghai International Cultural Exchange Association, Shanghai Yangpu Binjiang Investment Development Co., Ltd, College of Architecture and Urban Planning Tongji University, Spurs Gallery, MANA Platform
特别鸣谢：利亚德集团 | 蓝硕文化科技（上海）有限公司Acknowledgment: Leyard Group | Shanghai Linso Digital Technology Co. Ltd
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APSMUSEUM 会穿越的美术馆 | 《逝者如斯》春季大展，早鸟票限量发售中！APSMUSEUM 春季展览 | 逝者如斯
上海陆家嘴中心L+Mall位于上海陆家嘴核心区域, 邻近上海中心、环球金融中心等。体量超过140000平方米，地上10层商业，地下1层商业，坐落在“黄金角”地段，L+Mall已成为上海金融中心的新枢纽。L+Mall建筑由全球顶级建筑事务所SOM(Skidmore, Owings & Merrill LLP)设计，屡获国际殊荣的建筑设计事务所Benoy为这座上海核心金融区的大体量中高端购物中心提供了商业空间规划，室内设计及标识设计。
2019年，L+Mall引入巴黎老佛爷百货(Galeries Lafayette)旗舰店，同时拥有世界各大奢华品牌及小众精品等近600个品牌。融合了餐饮，休闲娱乐，跨界体验，艺术空间等多元业态。
L+Mall is located at the heart of Lujiazui, Shanghai, neighboring Shanghai Center, and Shanghai World Financial Center. Its more than 140,000 square meters of construction are divided into ten floors of retail space above ground and one underground. Situated at the "Golden Tip", L+Mall has become the new hub of Shanghai's financial center. Designed by the world's top architecture firm SOM (Skidmore, Owings & Merrill LLP), Benoy's international award-winning architecture firm has provided commercial space planning, interior design, and logo design for this sizeable mid-range and upscale shopping mall in the heart of Shanghai's financial district. In 2019, L+Mall introduced the flagship store of Galeries Lafayette, which features nearly 600 brands from the world's major luxury brands and boutiques. It integrates diverse experiences such as dining, leisure and entertainment, crossover experiences, and art spaces.
关于欣稚锋艺术机构
APS时刻都在探索城市与乡村公共空间的艺术可能性，在艺术项目与环境之间建立连接是APS的重要课题。我们根据项目的不同性质和特点进行整体艺术方案策划，为艺术家提供充分的创作和探索空间，为城市豪华酒店、高端写字楼、商场与住宅的室内外空间、以及艺术节项目等提供全程策展及监制服务。我们寻求艺术与不同领域之间的对话，组织并促进国际性跨学科的合作，尤其在建筑及艺术领域之间组织跨界合作，让建筑师与艺术家共同创造独一无二、量身定做的优秀公共艺术作品。
APS已与来自全球十余个国家和地区的40余位艺术家开展合作关系，并受政府委托策划执行2019上海城市空间艺术季（SUSAS 2019），同时在文华东方酒店集团、光明集团、陆家嘴集团及政府的多个境内外地产项目中担任全程艺术策划及监制顾问。
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